Greetings!
Today, we have the fabulous Annie Seaton here with
us. Annie is the author of Holiday Affair,
which has been on the Amazon bestseller lists (both in the US and the UK!) for
quite some time. She’s multitalented, having also written the excellent
steampunk novel Winter of the Passion
Flower and the paranormal page-turner Blind
Lust.
Since retiring from teaching, Annie has also worked as a freelance editor,
and still does so when time allows. Many of her clients went ahead and got
published. I was lucky to be one of them. J
Now, some questions I’ve always wanted to ask…
·
What are the most common mistakes romance
writers make nowadays, craft-wise?
There
are some errors that are quite common to many authors—both new and
multi-published. I suppose the two that stand out for me are the use of the
word ‘that’ as a filler word and the use of filtering.
Example
1: She opened the door that led to the garden. Corrected to: She opened the door leading to
the garden
Example
2: The dog dropped the bone THAT his
master had thrown.
The
second one I really am conscious of is filtering. That is, when the reader is
pulled out of the head of the person whose eyes they are looking through by the
use of words such as felt, made, watched.
Example
1. She felt the heat in her cheeks.
Corrected:
Her cheeks flared with heat.
Example
2: He watched as she crossed the room to him.
Corrected:
Her hips swayed as she crossed the room to him
So
removing filtering is removing the telling of how the person felt or what they
saw, and shows what they are feeling or what they could see.
It
is most often described as Show vs Tell and it is one of the most important
things to watch when writing a great story.
·
How important is an editor for
someone who’s self-publishing?
All I will say here it is one hundred
percent essential!
·
Should you shut up your inner
editor for the sake of getting words on the page?
·
Or should you listen to it and have
less work later?
But,
self reflection is a marvelous thing! Instead of giving up and bemoaning this
constant nagging voice, take control and analyze the changes you do make when
your inner editor won’t let go. What will you find? Scenes will be
stronger and the plot will tighten. Dialogue will improve. Reading back over
your changes, hopefully you will see your inner editor has stepped in, in a
timely fashion and saved you hours of editing at the end. So a good lesson. The
more you write, the more savvy you become when dealing with that pesky inner
editor.
·
Do you see any current trend on
romance novels you’d like to share?
I watch the release of new romances with
great interest and I read widely across many tropes. I can see both ends of the
spectrum—the books where a billionaire falls in love with the heroine; and the
sweet family books where the development of love and the use of secondary
characters in warm family environments, rounds out the story. I love reading
both!
·
You worked for an e-publisher. For
all of us who haven’t, could you please guide us through the process of how
editors acquire a book?
Books are sent to the acquiring editor
personally or to the general address for the publisher. The editor generally reads
the whole book and looks at the story, the consistency of the plot and the
development of characters. Is the story
engaging?
Even if there are craft issues, if it is
a great story it will be sent back with a request to revise certain issues and
resubmit. If it is considered suitable for the publisher and the line, it will
be recommended for contract.
·
Most of your clients have gotten
published. What’s your secret?
Hmmm. That’s a hard one.
From the craft perspective, I would say it my love for
reading over many years. I am extremely
conscious of grammar, punctuation and spelling and that means I will always return a manuscript to the
author post edits in a structurally perfect form. From a voice point of view, I
am extremely conscious of keeping the author’s unique voice and not changing
it. If readers want my voice, they will read Annie Seaton books. Voice is
unique to every author and that is the key to a good editor. Keep the author’s
voice!
Annie,
thank you so much for stopping by and catching up! :)
My pleasure. I am always excited about taking on new
editing clients. When they get the ‘call’, I am just as excited as they are. I have
made friends all over the world through my editing including Carmen!
Connect with Annie: